A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 170
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
Pagina 320
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
Pagina 349
... speaking , is a mere scene , a mere spectacle which he may describe later on in the columns of his newspaper . He does ... speak clearly about a scale of spiritual distances between reality and ourselves . In 1 " If you wish me to weep ...
... speaking , is a mere scene , a mere spectacle which he may describe later on in the columns of his newspaper . He does ... speak clearly about a scale of spiritual distances between reality and ourselves . In 1 " If you wish me to weep ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words