A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 144
... Speak of me as I am : nothing extenuate , Nor set down aught in malice : then , must you speak Of one that loved , not wisely , but too well ; Of one not easily jealous , but , being wrought , Perplexed in the extreme ; of one whose ...
... Speak of me as I am : nothing extenuate , Nor set down aught in malice : then , must you speak Of one that loved , not wisely , but too well ; Of one not easily jealous , but , being wrought , Perplexed in the extreme ; of one whose ...
Pagina 209
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
Pagina 320
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole