A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 166
... spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically explicit and is thought in the intuition . Useless also is the appeal to the principle of the unity of the spirit ...
... spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically explicit and is thought in the intuition . Useless also is the appeal to the principle of the unity of the spirit ...
Pagina 177
... spirit and is not assimilated by man ; some- thing postulated for the convenience of exposition , while actually non - existent , since to exist also is a fact of the spirit . . . Intuitive knowledge is expressive knowledge . In ...
... spirit and is not assimilated by man ; some- thing postulated for the convenience of exposition , while actually non - existent , since to exist also is a fact of the spirit . . . Intuitive knowledge is expressive knowledge . In ...
Pagina 219
... spirit of romanticism than any former classicism . Thus classicism breaks down and is built up 2 2 The French must beware of a very natural leaning toward identify- ing classicism with French classicism . The masters of the grand siècle ...
... spirit of romanticism than any former classicism . Thus classicism breaks down and is built up 2 2 The French must beware of a very natural leaning toward identify- ing classicism with French classicism . The masters of the grand siècle ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words