A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina xii
... spiritual space , " wide and eternal , " which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of copying we do not have a depth - experience ...
... spiritual space , " wide and eternal , " which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of copying we do not have a depth - experience ...
Pagina xiii
... spiritual language . Since this is the basic concept of modern esthetics , we should formulate it with all possible pre- cision . What exactly do we mean , then , when we say that art is spiritual or , in other words , that it expresses ...
... spiritual language . Since this is the basic concept of modern esthetics , we should formulate it with all possible pre- cision . What exactly do we mean , then , when we say that art is spiritual or , in other words , that it expresses ...
Pagina xxxiii
... spiritual program . When our machines are finally made tools of the whole community , people must be set free to play , to think , to love , and to make beautiful things . The greatest single function of esthetics , at present and in ...
... spiritual program . When our machines are finally made tools of the whole community , people must be set free to play , to think , to love , and to make beautiful things . The greatest single function of esthetics , at present and in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words