A modern book of esthetics: an anthology |
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Pagina xxxiii
institute the right social conditions, the opponents of capitalism must present, in
addition to indispensable material demands, a spiritual program. When our
machines are finally made tools of the whole community, people must be set free
to ...
institute the right social conditions, the opponents of capitalism must present, in
addition to indispensable material demands, a spiritual program. When our
machines are finally made tools of the whole community, people must be set free
to ...
Pagina 163
... the physical "construction" of art as of any other fact), the hedonistic doctrine
has its eternal element of truth in the placing in relief the hedonistic
accompaniment, or pleasure, common to the esthetic activity as to every form of
spiritual activity, ...
... the physical "construction" of art as of any other fact), the hedonistic doctrine
has its eternal element of truth in the placing in relief the hedonistic
accompaniment, or pleasure, common to the esthetic activity as to every form of
spiritual activity, ...
Pagina 221
In each of these three men, the conquest of judgment marks the culmination of
spiritual growth. Classicism strives to be complete, even to its own detriment, and
it does not feel itself complete unless it appeals to the intelligence. The desire to ...
In each of these three men, the conquest of judgment marks the culmination of
spiritual growth. Classicism strives to be complete, even to its own detriment, and
it does not feel itself complete unless it appeals to the intelligence. The desire to ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words