A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 181
... symbols , as within a tilt - yard in which our force is effectively pitted against other forces ; and fascinated by action , tempted by it , for our own good , on to the field it has selected , we live in a zone midway between things ...
... symbols , as within a tilt - yard in which our force is effectively pitted against other forces ; and fascinated by action , tempted by it , for our own good , on to the field it has selected , we live in a zone midway between things ...
Pagina 185
... symbols or even types , form the cur- rent coin of our daily perception . How , then , does a mis- understanding on this point arise ? The reason lies in the fact that two very different things have been mistaken for each other : the ...
... symbols or even types , form the cur- rent coin of our daily perception . How , then , does a mis- understanding on this point arise ? The reason lies in the fact that two very different things have been mistaken for each other : the ...
Pagina 225
... symbols , which respects irration- ality , organizes each new layer of reality it casts its light upon , which has learned that in this mistrustful world it can make its principles respected only by bending to end- less activity ( like ...
... symbols , which respects irration- ality , organizes each new layer of reality it casts its light upon , which has learned that in this mistrustful world it can make its principles respected only by bending to end- less activity ( like ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words