A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 131
... taste of sugar as being pleasant , and Mr. Herbert Spencer has actually been led to say in some one of his writings , that sugar is a taste that can never be experienced in any disagreeable phase . But I think a little experimentation ...
... taste of sugar as being pleasant , and Mr. Herbert Spencer has actually been led to say in some one of his writings , that sugar is a taste that can never be experienced in any disagreeable phase . But I think a little experimentation ...
Pagina 150
... not concerned to cultivate their taste but to live in a grateful environment . This is the spirit in which a free mind would still choose its possessions . But we moderns , in all our thoughts and tastes 150 HEDONISTIC THEORIES.
... not concerned to cultivate their taste but to live in a grateful environment . This is the spirit in which a free mind would still choose its possessions . But we moderns , in all our thoughts and tastes 150 HEDONISTIC THEORIES.
Pagina 417
... taste : for taste in the bourgeois sense is merely another name for pecuniary reputability , and against that standard the machine sets up the standards of function and fitness . The newest , the cheapest , the commonest objects may ...
... taste : for taste in the bourgeois sense is merely another name for pecuniary reputability , and against that standard the machine sets up the standards of function and fitness . The newest , the cheapest , the commonest objects may ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words