A modern book of esthetics: an anthology |
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Pagina 198
It is rather a natural thing to say about poetry, because we discount the physical
side of language. We glance at its words and do not sound them. And Shelley, as
we saw, says something very like that. But at the very beginning of all this notion,
...
It is rather a natural thing to say about poetry, because we discount the physical
side of language. We glance at its words and do not sound them. And Shelley, as
we saw, says something very like that. But at the very beginning of all this notion,
...
Pagina 208
But they differ logically, for goodness properly relates to the appetite (goodness
being what all things desire) ; and therefore it has the aspect of an end (the
appetite being a kind of movement towards a thing) . On the other hand, beauty
relates ...
But they differ logically, for goodness properly relates to the appetite (goodness
being what all things desire) ; and therefore it has the aspect of an end (the
appetite being a kind of movement towards a thing) . On the other hand, beauty
relates ...
Pagina 366
Science makes us believe that it speaks of the thing, and yet informs us merely of
the thing's relations to other things in ... a thousand other things to which it is
related, pushes us ever forward to discover new causes and effects, and hides
the ...
Science makes us believe that it speaks of the thing, and yet informs us merely of
the thing's relations to other things in ... a thousand other things to which it is
related, pushes us ever forward to discover new causes and effects, and hides
the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words