A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 219
... thought judging a world it cannot replace , which it would enjoy even while denouncing - harmony of judgment and vision at one in a scrupulous conflict where neither betrays the other nor itself . In these three extraordinary men we see ...
... thought judging a world it cannot replace , which it would enjoy even while denouncing - harmony of judgment and vision at one in a scrupulous conflict where neither betrays the other nor itself . In these three extraordinary men we see ...
Pagina 306
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
Pagina 308
... thought of the rising which is really being done by us at that moment , but the thought and emotion , the idea of rising as such which had been accu- mulating in our mind long before we ever came into the presence of that particular ...
... thought of the rising which is really being done by us at that moment , but the thought and emotion , the idea of rising as such which had been accu- mulating in our mind long before we ever came into the presence of that particular ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words