A modern book of esthetics: an anthology |
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Pagina 219
vantes, held above himself by nothing but the force of his thought judging a world
it cannot replace, which it would enjoy even while denouncing— harmony of
judgment and vision at one in a scrupulous conflict where neither betrays the
other ...
vantes, held above himself by nothing but the force of his thought judging a world
it cannot replace, which it would enjoy even while denouncing— harmony of
judgment and vision at one in a scrupulous conflict where neither betrays the
other ...
Pagina 224
If this close-knit, organic solidarity shocks our received opinions, it is because we
are used to seeing its deviations and sophisms isolated in order to make an
antithesis of "romanticism" and "classicism." Romantic thought is not real thought,
...
If this close-knit, organic solidarity shocks our received opinions, it is because we
are used to seeing its deviations and sophisms isolated in order to make an
antithesis of "romanticism" and "classicism." Romantic thought is not real thought,
...
Pagina 306
So literal and indisputable a statement of the case, I answer, that it explains,
when we come to examine it, why we should have a thought of rising when we
look at the mountain, since we cannot look at the mountain, nor at a tree, a tower
or ...
So literal and indisputable a statement of the case, I answer, that it explains,
when we come to examine it, why we should have a thought of rising when we
look at the mountain, since we cannot look at the mountain, nor at a tree, a tower
or ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words