A Modern Book of Esthetics: An Anthology |
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Pagina 219
1 文 1 from rovantes , held above himself by nothing but the force of his thought judging a world it cannot replace , which it would enjoy even while denouncing - harmony of judgment and vision at one in a scrupulous conflict where ...
1 文 1 from rovantes , held above himself by nothing but the force of his thought judging a world it cannot replace , which it would enjoy even while denouncing - harmony of judgment and vision at one in a scrupulous conflict where ...
Pagina 224
Romantic thought is not real thought , but a sentimental imitation or exercise of thought ; pseudo - classical sensibility is nothing but an intellectual pretense of feeling . It is really no paradox to say that romanticism in its ...
Romantic thought is not real thought , but a sentimental imitation or exercise of thought ; pseudo - classical sensibility is nothing but an intellectual pretense of feeling . It is really no paradox to say that romanticism in its ...
Pagina 306
So literal and indisputable a statement of the case , I answer , that it explains , when we come to examine it , why we should have a thought of rising when we look at the mountain , since we cannot look at the mountain , nor at a tree ...
So literal and indisputable a statement of the case , I answer , that it explains , when we come to examine it , why we should have a thought of rising when we look at the mountain , since we cannot look at the mountain , nor at a tree ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole