A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina xxxii
... tion the mighty upheaval of Communism in Russia ; the revolutionary struggles in Spain ; the violent establishment of dictatorships in Italy , Germany , and Austria ; the swift spread of Communism in China ; the swing toward radical ...
... tion the mighty upheaval of Communism in Russia ; the revolutionary struggles in Spain ; the violent establishment of dictatorships in Italy , Germany , and Austria ; the swift spread of Communism in China ; the swing toward radical ...
Pagina 253
... tion of three - dimensional space is to be called " representa- tion , " then I agree that there is one kind of representation which is not irrelevant . Also , I agree that along with our feeling for line and color we must bring with us ...
... tion of three - dimensional space is to be called " representa- tion , " then I agree that there is one kind of representation which is not irrelevant . Also , I agree that along with our feeling for line and color we must bring with us ...
Pagina 450
... tion , the chief honor usually goes to the former on the ground that it is " creative , " while taste is relatively posses- sive and passive , dependent for its material upon the ac- tivities of the creative artist . If Greek philosophy ...
... tion , the chief honor usually goes to the former on the ground that it is " creative , " while taste is relatively posses- sive and passive , dependent for its material upon the ac- tivities of the creative artist . If Greek philosophy ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words