A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 462
In das classicism , objective achievement is primary , and apprecia - and tion not
only conforms to the object , but the object is em - ' ployed to compose sentiment
and give it distinction . Its vice , as an “ ism , ” is that it turns the mind to what is ...
In das classicism , objective achievement is primary , and apprecia - and tion not
only conforms to the object , but the object is em - ' ployed to compose sentiment
and give it distinction . Its vice , as an “ ism , ” is that it turns the mind to what is ...
Pagina 468
... and if you add together the two sets of values , you do not obtain the missing
ele468 DE VE BEESEEŞES 9 : 22 ments . What is wanted is an appreciation of
the ALFRED NORTH WHITEHEAD: Art, EDUCA- TION, AND NATIONAL IDEALS.
... and if you add together the two sets of values , you do not obtain the missing
ele468 DE VE BEESEEŞES 9 : 22 ments . What is wanted is an appreciation of
the ALFRED NORTH WHITEHEAD: Art, EDUCA- TION, AND NATIONAL IDEALS.
Pagina 504
Unpractical Character of Art ( see Voluntaristic Theories , 55 - 79 , 83 , also
Practical , Distance , Isola - 479 - 480 tion ) Use and Beauty ( see also Practical ,
Wagner , 63 , 65 , 68 , 346 Unpractical , Means ) , 146 - 147 , Whitehead , Alfred
North ...
Unpractical Character of Art ( see Voluntaristic Theories , 55 - 79 , 83 , also
Practical , Distance , Isola - 479 - 480 tion ) Use and Beauty ( see also Practical ,
Wagner , 63 , 65 , 68 , 346 Unpractical , Means ) , 146 - 147 , Whitehead , Alfred
North ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole