A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 63
... tragedy taught resignation ( i.e. , a meek renunciation of happiness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then consti- tute a process of dissolution ; the ...
... tragedy taught resignation ( i.e. , a meek renunciation of happiness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then consti- tute a process of dissolution ; the ...
Pagina 336
... tragedy . It has always - except in highly distanced tragedy -been a popular objection to it that " there is enough sad- ness in life without going to the theater for it . " Already Aristotle appears to have met with this view among his ...
... tragedy . It has always - except in highly distanced tragedy -been a popular objection to it that " there is enough sad- ness in life without going to the theater for it . " Already Aristotle appears to have met with this view among his ...
Pagina 337
... tragedy is another such confusion , the under - distancing of tragedy's appeal . Tragedy trembles always on the knife- edge of a personal reaction , and sympathy which finds re- lief in tears tends almost always towards a loss of ...
... tragedy is another such confusion , the under - distancing of tragedy's appeal . Tragedy trembles always on the knife- edge of a personal reaction , and sympathy which finds re- lief in tears tends almost always towards a loss of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words