A Modern Book of Esthetics: An Anthology |
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Pagina 146
He points out that in the consecrated phrase " the Good , the True , and the Beautiful " the term “ Good ” is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True , in so far as ...
He points out that in the consecrated phrase " the Good , the True , and the Beautiful " the term “ Good ” is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True , in so far as ...
Pagina 166
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including it in reality as a subordinate moment of reality ...
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including it in reality as a subordinate moment of reality ...
Pagina 439
Whatever consideration is shown for the life of the people in these days , whatever is done which is worth doing , is done in spite of the system and in the teeth of its maxims ; and most true it is that we do all of us tacitly at least ...
Whatever consideration is shown for the life of the people in these days , whatever is done which is worth doing , is done in spite of the system and in the teeth of its maxims ; and most true it is that we do all of us tacitly at least ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole