A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 146
... True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True , in so far as some true ideas may be useful possessions or may be sources ...
... True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True , in so far as some true ideas may be useful possessions or may be sources ...
Pagina 166
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
Pagina 439
... true that in their fresh and glorious days , when they are in the heyday of their faith and enthusiasm , they are thwarted at every turn by Commercial War , with its sneering question " Will it pay ? " Is it not true that when they ...
... true that in their fresh and glorious days , when they are in the heyday of their faith and enthusiasm , they are thwarted at every turn by Commercial War , with its sneering question " Will it pay ? " Is it not true that when they ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words