A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 118
... uncon- sciously imputed to the object contemplated , and not to the body or the mind of the person contemplating . Nothing is more natural or primitive than thus to project our mental states into the external world ; as in the case of ...
... uncon- sciously imputed to the object contemplated , and not to the body or the mind of the person contemplating . Nothing is more natural or primitive than thus to project our mental states into the external world ; as in the case of ...
Pagina 262
... uncon- scious apprehension of this latent reality of material things be , indeed , the cause of that strange emotion , a passion to express which is the inspiration of many artists , it seems reasonable to suppose that those who ...
... uncon- scious apprehension of this latent reality of material things be , indeed , the cause of that strange emotion , a passion to express which is the inspiration of many artists , it seems reasonable to suppose that those who ...
Pagina 288
... uncon- sciously imitate its posture and implied movement by def- inite muscular adjustments . Although Lipps recognizes the existence of such spon- taneous mimicry , he insists that empathy does not consist in the bodily feelings thus ...
... uncon- sciously imitate its posture and implied movement by def- inite muscular adjustments . Although Lipps recognizes the existence of such spon- taneous mimicry , he insists that empathy does not consist in the bodily feelings thus ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words