A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 258
... understand the state of mind of those who understand it best . I do not say that art means nothing or little to them ; I say they miss its full significance . I do not suggest for one moment that their appreciation of art is a thing to ...
... understand the state of mind of those who understand it best . I do not say that art means nothing or little to them ; I say they miss its full significance . I do not suggest for one moment that their appreciation of art is a thing to ...
Pagina 367
... understand a product of civilization , an institution , a law , a religion , a government , again I must needs establish their connections with the human efforts of the past , their causes and effects , their relations to all the ...
... understand a product of civilization , an institution , a law , a religion , a government , again I must needs establish their connections with the human efforts of the past , their causes and effects , their relations to all the ...
Pagina 434
... understand that labor may be a blessing to them : not in the sense in which the phrase is sometimes preached to them by those whose labor is light and easily evaded : not as a necessary task laid by nature on the poor for the benefit of ...
... understand that labor may be a blessing to them : not in the sense in which the phrase is sometimes preached to them by those whose labor is light and easily evaded : not as a necessary task laid by nature on the poor for the benefit of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words