A Modern Book of Esthetics: An Anthology |
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Pagina 172
struggle of several different states of the soul not yet unified , their stratification ,
or mixture , their vacillating method , which obtains apparent unity from the will of
the author , who for this purpose avails himself of an abstract plan or idea , or of ...
struggle of several different states of the soul not yet unified , their stratification ,
or mixture , their vacillating method , which obtains apparent unity from the will of
the author , who for this purpose avails himself of an abstract plan or idea , or of ...
Pagina 378
Thus the unity of a work of art makes of the system of suggested energies which
form the foreground of attention an impregnable , an invulnerable circle . Not only
, however , are we held in equilibrium in the object of attention ; we cannot ...
Thus the unity of a work of art makes of the system of suggested energies which
form the foreground of attention an impregnable , an invulnerable circle . Not only
, however , are we held in equilibrium in the object of attention ; we cannot ...
Pagina 379
another point of view it may be said that the unity of the object is constituted just
by the inhibition of all tendency to movement through the balance or centrality of
impulses suggested by it . In other words , the balance of impulses makes us feel
...
another point of view it may be said that the unity of the object is constituted just
by the inhibition of all tendency to movement through the balance or centrality of
impulses suggested by it . In other words , the balance of impulses makes us feel
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole