A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 123
... Universal or Absolute which determines its beauty . This view has held strongly from Plato's time to our own ; but the great dif- ficulty in the way of the acceptance of any of the many suggested schemes of Absolute or Universal ...
... Universal or Absolute which determines its beauty . This view has held strongly from Plato's time to our own ; but the great dif- ficulty in the way of the acceptance of any of the many suggested schemes of Absolute or Universal ...
Pagina 166
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
Pagina 259
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words