A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 100
... words , and yet may not act on others by such expres- sion ; and then the manifestation of his emotions is not art ... words , consists in this , that whereas by words a man transmits his thoughts to another , by means of art he ...
... words , and yet may not act on others by such expres- sion ; and then the manifestation of his emotions is not art ... words , consists in this , that whereas by words a man transmits his thoughts to another , by means of art he ...
Pagina 175
... words from the obscure region of the soul into the clarity of the contemplative spirit . It is impossible to distinguish intuition from ex- pression in this cognitive process . The one appears with the other at the same instant ...
... words from the obscure region of the soul into the clarity of the contemplative spirit . It is impossible to distinguish intuition from ex- pression in this cognitive process . The one appears with the other at the same instant ...
Pagina 272
... words of the language . The formal arrangement is the grammar and syntax . The esthetic emotion is the meaning . In order to impart this emotion , the artist puts representata in artistic form - very much as we put sounds which are words ...
... words of the language . The formal arrangement is the grammar and syntax . The esthetic emotion is the meaning . In order to impart this emotion , the artist puts representata in artistic form - very much as we put sounds which are words ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words