A Modern Book of Esthetics: An Anthology |
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Pagina xiv
A perusal of this book will indicate , I think , that the writers ... the artist expresses
need be completely in mind before he starts work : Beethoven in writing a
symphony or Michelangelo in decorating the Sistine Chapel must have
elaborated his ...
A perusal of this book will indicate , I think , that the writers ... the artist expresses
need be completely in mind before he starts work : Beethoven in writing a
symphony or Michelangelo in decorating the Sistine Chapel must have
elaborated his ...
Pagina 351
... interest to me and with very few exceptions particular works of art possess
even less interest . But in turn , my valuation of the new artistic products should
not be of interest to any one . Writers who reduce their inspiration to express
President ...
... interest to me and with very few exceptions particular works of art possess
even less interest . But in turn , my valuation of the new artistic products should
not be of interest to any one . Writers who reduce their inspiration to express
President ...
Pagina 359
The writers included in the present chapter likewise contribute to an
understanding of the esthetic attitude . At the same time they demonstrate that ,
as DeWitt Parker points out , “ the unity of a work of art is the counterpart of a unity
within the ...
The writers included in the present chapter likewise contribute to an
understanding of the esthetic attitude . At the same time they demonstrate that ,
as DeWitt Parker points out , “ the unity of a work of art is the counterpart of a unity
within the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole