The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 63
... French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater ...
... French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater ...
Pagina 64
... French theater to Greek and Roman theater . ( Seneca's influence on the classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the ...
... French theater to Greek and Roman theater . ( Seneca's influence on the classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the ...
Pagina 65
... French tragic art is the art of not letting fly , of always subjecting word and gesture to the highest regulative norm . In brief , French tragedies reveal that same will to selection and deliberate refinement that has , generation ...
... French tragic art is the art of not letting fly , of always subjecting word and gesture to the highest regulative norm . In brief , French tragedies reveal that same will to selection and deliberate refinement that has , generation ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth