The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 63
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS WHY917 NIHYW Not many things
illuminate ...
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS WHY917 NIHYW Not many things
illuminate ...
Pagina 64
However , psychological analysis is not the last aim of French tragedies ; it serves
as a vehicle for another purpose which manifestly relates the French theater to
Greek and Roman theater . ( Seneca ' s influence on the classical French drama
...
However , psychological analysis is not the last aim of French tragedies ; it serves
as a vehicle for another purpose which manifestly relates the French theater to
Greek and Roman theater . ( Seneca ' s influence on the classical French drama
...
Pagina 65
Even if we did not know the French society of that time , those tragedies would
suggest an audience of people preoccupied with the high forms of seemliness
and with their own perfection . The style is measured and of a noble tenor ; it
admits ...
Even if we did not know the French society of that time , those tragedies would
suggest an audience of people preoccupied with the high forms of seemliness
and with their own perfection . The style is measured and of a noble tenor ; it
admits ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |