The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina
... German universities , and then returned to his native city in 1910 to become a professor of metaphys- ics . During the following years Ortega founded several literary and philosophical reviews , the most prominent of which was La ...
... German universities , and then returned to his native city in 1910 to become a professor of metaphys- ics . During the following years Ortega founded several literary and philosophical reviews , the most prominent of which was La ...
Pagina 146
... German literary his- tory ; who knows but that it prevented German literature from being the finest literature in the world ! Yes ! even if at first sight this appears to you to be an error , an intolerable paradox , and even if it ...
... German literary his- tory ; who knows but that it prevented German literature from being the finest literature in the world ! Yes ! even if at first sight this appears to you to be an error , an intolerable paradox , and even if it ...
Pagina 149
... German literature begins to appear in that sovereign soul , Weimar isolates him from Germany , tears his roots from German soil , and transplants him to the humus - less flowerpot of a Lilliputian court . A stay at Weimar - Weimar as a ...
... German literature begins to appear in that sovereign soul , Weimar isolates him from Germany , tears his roots from German soil , and transplants him to the humus - less flowerpot of a Lilliputian court . A stay at Weimar - Weimar as a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth