The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 115
... Giotto . Not at all ! In the history of art there have always been eccentric movements tending toward the archaic ... Giotto ; they are , rather , antagonists . Giotto seeks to render the actual volume of each thing , its im- mediate and ...
... Giotto . Not at all ! In the history of art there have always been eccentric movements tending toward the archaic ... Giotto ; they are , rather , antagonists . Giotto seeks to render the actual volume of each thing , its im- mediate and ...
Pagina 117
... Giotto , painter of solid and in- dependent bodies , philosophy believed that the ultimate and definitive reality were individual sub- stances . Examples given of such substances in the schools were : this horse , this man . Why did one ...
... Giotto , painter of solid and in- dependent bodies , philosophy believed that the ultimate and definitive reality were individual sub- stances . Examples given of such substances in the schools were : this horse , this man . Why did one ...
Pagina 118
... Giotto . Let us jump to the year 1600 , the epoch in which the painting of hollow space began . Philos- ophy is in the power of Descartes . What is cosmic reality for him ? Multiple and independent sub- stances disintegrate . In the ...
... Giotto . Let us jump to the year 1600 , the epoch in which the painting of hollow space began . Philos- ophy is in the power of Descartes . What is cosmic reality for him ? Multiple and independent sub- stances disintegrate . In the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth