The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 60
... Hence the fresh taste of all impressionistic paint- ing . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
... Hence the fresh taste of all impressionistic paint- ing . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
Pagina 80
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
Pagina 168
... Hence when things cease to threaten it or caress it ; when they give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the ...
... Hence when things cease to threaten it or caress it ; when they give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth