The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 142
... on the verge of forty , still asking himself , as he wanders through Italy , whether
he is poet , painter , or scientist , and writing from Rome on March 14 , 1788 : "
For the first time I have found myself and am happily in harmony with myself .
... on the verge of forty , still asking himself , as he wanders through Italy , whether
he is poet , painter , or scientist , and writing from Rome on March 14 , 1788 : "
For the first time I have found myself and am happily in harmony with myself .
Pagina 148
... reader , can only be achieved by developing the theory of vocation . 7 . " How
full of truth , how full of being ! ” — Goethe ' s remark on a crawfish which he saw
moving in a brook in Italy . enclosed at the age of twenty in the sterile flask 148.
... reader , can only be achieved by developing the theory of vocation . 7 . " How
full of truth , how full of being ! ” — Goethe ' s remark on a crawfish which he saw
moving in a brook in Italy . enclosed at the age of twenty in the sterile flask 148.
Pagina 149
The Sturm of feeling and imagination , two things which other European
literatures lack ; the measure which - in different forms - France and Italy possess
in abundance . Between 1770 and 1830 any German of the first rank could
provide ...
The Sturm of feeling and imagination , two things which other European
literatures lack ; the measure which - in different forms - France and Italy possess
in abundance . Between 1770 and 1830 any German of the first rank could
provide ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |