The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 63
... Spanish theater . 1 TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater and the indigenous Spanish theater ...
... Spanish theater . 1 TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater and the indigenous Spanish theater ...
Pagina 64
... Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and used as a springboard from which the drama or adventure takes ...
... Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and used as a springboard from which the drama or adventure takes ...
Pagina 66
... Spanish plays remain blurred . What is interesting about them is not their characters but that they are seen roving through the wide world , tossed about by the whirlwind of adventure . Di- sheveled ladies lost in the Sierras , who ...
... Spanish plays remain blurred . What is interesting about them is not their characters but that they are seen roving through the wide world , tossed about by the whirlwind of adventure . Di- sheveled ladies lost in the Sierras , who ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth