The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 57
... Stendhal pre- sents it in its immediate and patent reality . Now , an examination of the evolution of the novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict ...
... Stendhal pre- sents it in its immediate and patent reality . Now , an examination of the evolution of the novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict ...
Pagina 58
... Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things ...
... Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things ...
Pagina 90
José Ortega y Gasset. of Cervantes , Stendhal , Dickens , Dostoevski are of the tightly packed sort . All the time we are getting more facts than we can possibly keep in mind , and yet we are left with the impression that beyond those ...
José Ortega y Gasset. of Cervantes , Stendhal , Dickens , Dostoevski are of the tightly packed sort . All the time we are getting more facts than we can possibly keep in mind , and yet we are left with the impression that beyond those ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth