The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 146
He flees from his life as a writer to fall into that unhappy Weimar episode—
Weimar is the greatest malentendu in German literary history; who knows but that
it prevented German literature from being the finest literature in the world I Yes!
even ...
He flees from his life as a writer to fall into that unhappy Weimar episode—
Weimar is the greatest malentendu in German literary history; who knows but that
it prevented German literature from being the finest literature in the world I Yes!
even ...
Pagina 149
enclosed at the age of twenty in the sterile flask of Weimar and magically
desiccated into a Geheimrat. Life is our reaction to the basic insecurity which
constitutes its substance. Hence it is an extremely serious matter for a man to find
himself ...
enclosed at the age of twenty in the sterile flask of Weimar and magically
desiccated into a Geheimrat. Life is our reaction to the basic insecurity which
constitutes its substance. Hence it is an extremely serious matter for a man to find
himself ...
Pagina 157
Nothing so saps the profound resources of a life as finding life too easy. Such
was Weimar for Goethe at that decisive period. Weimar made it easy for his youth
to encyst, and he remained forever available. His economic future was solved for
...
Nothing so saps the profound resources of a life as finding life too easy. Such
was Weimar for Goethe at that decisive period. Weimar made it easy for his youth
to encyst, and he remained forever available. His economic future was solved for
...
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The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
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Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth