The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 57
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
Pagina 60
... adventure as such - perhaps , as we were saying , because the child sees in palpable presence what our imagination is ... adventures capable of stirring the superior portion of our sensibility . Action thus becomes a mere pretext - the ...
... adventure as such - perhaps , as we were saying , because the child sees in palpable presence what our imagination is ... adventures capable of stirring the superior portion of our sensibility . Action thus becomes a mere pretext - the ...
Pagina 64
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an ...
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth