The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 3
... aesthetic essence that it does not quite appear how , starting from them , we can ever hope to penetrate into the inner frame of styles . Guyau doubtless failed to make the best of his ingenious idea . His short life and tragic rushing ...
... aesthetic essence that it does not quite appear how , starting from them , we can ever hope to penetrate into the inner frame of styles . Guyau doubtless failed to make the best of his ingenious idea . His short life and tragic rushing ...
Pagina 9
... aesthetic elements predominate and the story of John and Mary grows elusive , most people feel out of their depth and are at a loss what to make of the scene , the book , or the painting . As they have never practiced any other attitude ...
... aesthetic elements predominate and the story of John and Mary grows elusive , most people feel out of their depth and are at a loss what to make of the scene , the book , or the painting . As they have never practiced any other attitude ...
Pagina 76
... aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally ...
... aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth