The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 3
... aesthetic essence that it does not quite appear how , starting from them , we can ever hope to penetrate into the inner frame of styles . Guyau doubtless failed to make the best of his ingenious idea . His short life and tragic rushing ...
... aesthetic essence that it does not quite appear how , starting from them , we can ever hope to penetrate into the inner frame of styles . Guyau doubtless failed to make the best of his ingenious idea . His short life and tragic rushing ...
Pagina 4
... aesthetic values as his contemporary colleagues - the poet , the painter , the playwright - in theirs . And this identity of artis- tic purpose necessarily produces identical sociolog- ical consequences . In fact , the unpopularity of ...
... aesthetic values as his contemporary colleagues - the poet , the painter , the playwright - in theirs . And this identity of artis- tic purpose necessarily produces identical sociolog- ical consequences . In fact , the unpopularity of ...
Pagina 76
... aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally ...
... aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth