The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 31
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
Pagina 166
... animal . Because the expression means that we feel a strange weariness , a gratuitous weariness , at simply imagin- ing ourselves forced to live among these crea- tures , perpetually harassed by our environment and tensely attentive to ...
... animal . Because the expression means that we feel a strange weariness , a gratuitous weariness , at simply imagin- ing ourselves forced to live among these crea- tures , perpetually harassed by our environment and tensely attentive to ...
Pagina 168
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth