The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 31
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
Pagina 166
... animal . Because the expression means that we feel a strange weariness , a gratuitous weariness , at simply imagin- ing ourselves forced to live among these crea- tures , perpetually harassed by our environment and tensely attentive to ...
... animal . Because the expression means that we feel a strange weariness , a gratuitous weariness , at simply imagin- ing ourselves forced to live among these crea- tures , perpetually harassed by our environment and tensely attentive to ...
Pagina 168
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth