The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves: Which of all these realities must then be
regarded as the real and authentic one? The answer, no matter how we decide,
cannot but be arbitrary. Any preference can be founded on caprice only. All these
...
And we cannot help asking ourselves: Which of all these realities must then be
regarded as the real and authentic one? The answer, no matter how we decide,
cannot but be arbitrary. Any preference can be founded on caprice only. All these
...
Pagina 146
But what was his authentic vocation? I am not going to abuse your patience by
developing the theory of vocation for you— it implies a whole philosophy. I
should only like to call to your attention the fact that a vocation, although it is
always ...
But what was his authentic vocation? I am not going to abuse your patience by
developing the theory of vocation for you— it implies a whole philosophy. I
should only like to call to your attention the fact that a vocation, although it is
always ...
Pagina 153
And Other Writings on Art and Culture José Ortega y Gasset. symbol, what is the
definite reality which is symbolized in it, in what does his authentic task consist? If
what he has to do, his task, is neither pots nor pans, it must be something else.
And Other Writings on Art and Culture José Ortega y Gasset. symbol, what is the
definite reality which is symbolized in it, in what does his authentic task consist? If
what he has to do, his task, is neither pots nor pans, it must be something else.
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The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |