The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 72
José Ortega y Gasset. begins by briefly giving a biography of that person and thus makes us believe that we know well enough with what kind of man we are dealing . But no sooner do his people begin to act - i.e . , to talk and to do ...
José Ortega y Gasset. begins by briefly giving a biography of that person and thus makes us believe that we know well enough with what kind of man we are dealing . But no sooner do his people begin to act - i.e . , to talk and to do ...
Pagina 110
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
Pagina 157
... begin , the struggle with the rest of mankind begins . The asperity , the bitterness , the hostility of our mundane environment appear . This first attack either forever annihilates our heroic resolve to be what we secretly are and ...
... begin , the struggle with the rest of mankind begins . The asperity , the bitterness , the hostility of our mundane environment appear . This first attack either forever annihilates our heroic resolve to be what we secretly are and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth