The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 47
... begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world . Other styles must be interpreted in con- nection with dramatic social or political movements , or ...
... begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world . Other styles must be interpreted in con- nection with dramatic social or political movements , or ...
Pagina 110
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
Pagina 157
... begin , the struggle with the rest of mankind begins . The asperity , the bitterness , the hostility of our mundane environment appear . This first attack either forever annihilates our heroic resolve to be what we secretly are and ...
... begin , the struggle with the rest of mankind begins . The asperity , the bitterness , the hostility of our mundane environment appear . This first attack either forever annihilates our heroic resolve to be what we secretly are and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth