The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 72
... believe that we know well enough with what kind of man we are dealing . But no sooner do his people begin to act - i.e . , to talk and to do things - than we feel thrown off the track . They refuse to behave according to those alleged ...
... believe that we know well enough with what kind of man we are dealing . But no sooner do his people begin to act - i.e . , to talk and to do things - than we feel thrown off the track . They refuse to behave according to those alleged ...
Pagina 91
... believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of politics , though not of science or of philosophy - that the novel is one of the few fields that may still yield illustrious fruits ...
... believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of politics , though not of science or of philosophy - that the novel is one of the few fields that may still yield illustrious fruits ...
Pagina 146
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth