The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 72
... believe that we know well enough with what kind of man we are dealing . But no sooner do his people begin to act - i.e . , to talk and to do things - than we feel thrown off the track . They refuse to behave according to those alleged ...
... believe that we know well enough with what kind of man we are dealing . But no sooner do his people begin to act - i.e . , to talk and to do things - than we feel thrown off the track . They refuse to behave according to those alleged ...
Pagina 91
... believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of politics , though not of science or of philosophy - that the novel is one of the few fields that may still yield illustrious fruits ...
... believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of politics , though not of science or of philosophy - that the novel is one of the few fields that may still yield illustrious fruits ...
Pagina 146
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth