The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 63
... think of ; one feels that the author has to entertain an audience already stirred up by a life of new and perilous experiences . The French tragedian wants to set down on the canvas of a well - known " Notes on the Novel 63.
... think of ; one feels that the author has to entertain an audience already stirred up by a life of new and perilous experiences . The French tragedian wants to set down on the canvas of a well - known " Notes on the Novel 63.
Pagina 106
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
Pagina 116
... canvas what is within : ideal invented objects . Note how , by a simple advance of the point of view along the same trajectory it has followed from the beginning , it arrives at an inverse result . The eyes , instead of absorbing things ...
... canvas what is within : ideal invented objects . Note how , by a simple advance of the point of view along the same trajectory it has followed from the beginning , it arrives at an inverse result . The eyes , instead of absorbing things ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth