The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 134
... cerning his existence than we probably do con- cerning any other human being . We can therefore --that is to say , you can , because I know very little about Goethe - work ex abundantia . But there is another reason for making the at ...
... cerning his existence than we probably do con- cerning any other human being . We can therefore --that is to say , you can , because I know very little about Goethe - work ex abundantia . But there is another reason for making the at ...
Pagina 141
... concerning himself he knows only when he is satisfied and when he suffers , and only his sufferings and his ... cerning its own being . None of them has to decide what it will be the next instant . Thus their life is not drama ...
... concerning himself he knows only when he is satisfied and when he suffers , and only his sufferings and his ... cerning its own being . None of them has to decide what it will be the next instant . Thus their life is not drama ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth