The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 24
... character . " And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which had so little character was a past master of style . MORE ABOUT THE ...
... character . " And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which had so little character was a past master of style . MORE ABOUT THE ...
Pagina 64
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
Pagina 130
... character makes that realization easier or more difficult . Life is essentially a drama , because it is a desperate struggle - with things and even with our character - to succeed in being in fact that which we are in design . This ...
... character makes that realization easier or more difficult . Life is essentially a drama , because it is a desperate struggle - with things and even with our character - to succeed in being in fact that which we are in design . This ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth