The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 4
... - ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had never appealed . The enemy with whom Ro- manticism 4.
... - ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had never appealed . The enemy with whom Ro- manticism 4.
Pagina 63
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
Pagina 71
... classical tragedy . This aesthetic rule , which calls for moderation and restraint , now ap- pears as an efficient means of bringing about the inner density , the high pressure , as it were , within the body of the novel . Dostoevski ...
... classical tragedy . This aesthetic rule , which calls for moderation and restraint , now ap- pears as an efficient means of bringing about the inner density , the high pressure , as it were , within the body of the novel . Dostoevski ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth