The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 4
... - ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had never appealed . The enemy with whom Ro- manticism 4.
... - ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had never appealed . The enemy with whom Ro- manticism 4.
Pagina 63
... classical French theater with the indigenous Spanish theater . 1 TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical ...
... classical French theater with the indigenous Spanish theater . 1 TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical ...
Pagina 71
... classical tragedy . This aesthetic rule , which calls for moderation and restraint , now ap- pears as an efficient means of bringing about the inner density , the high pressure , as it were , within the body of the novel . Dostoevski ...
... classical tragedy . This aesthetic rule , which calls for moderation and restraint , now ap- pears as an efficient means of bringing about the inner density , the high pressure , as it were , within the body of the novel . Dostoevski ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth