The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 4
The break - through of Romanticism , although a frequently cited example , is , as
a sociological phenomenon , exactly the opposite of the present situation of art .
Romanticism was very quick in winning " the people ” to whom the old classical ...
The break - through of Romanticism , although a frequently cited example , is , as
a sociological phenomenon , exactly the opposite of the present situation of art .
Romanticism was very quick in winning " the people ” to whom the old classical ...
Pagina 63
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS WHY917 NIHYW Not many things
illuminate ...
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS WHY917 NIHYW Not many things
illuminate ...
Pagina 71
The concentration of the plot in time and space , so characteristic of Dostoevski ' s
technique , brings to mind , in an unexpected sense , the venerable unities of
classical tragedy . This aesthetic rule , which calls for moderation and restraint ...
The concentration of the plot in time and space , so characteristic of Dostoevski ' s
technique , brings to mind , in an unexpected sense , the venerable unities of
classical tragedy . This aesthetic rule , which calls for moderation and restraint ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |