The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 35
... contrary , we give three - dimensional being to mere patterns , we ob- jectify the subjective , we " worldify " the immanent . A traditional painter painting a portrait claims to have got hold of the real person when , in truth and at ...
... contrary , we give three - dimensional being to mere patterns , we ob- jectify the subjective , we " worldify " the immanent . A traditional painter painting a portrait claims to have got hold of the real person when , in truth and at ...
Pagina 66
... contrary temperaments . In general , the personalities of the men and women in Spanish plays remain blurred . What is interesting about them is not their characters but that they are seen roving through the wide world , tossed about by ...
... contrary temperaments . In general , the personalities of the men and women in Spanish plays remain blurred . What is interesting about them is not their characters but that they are seen roving through the wide world , tossed about by ...
Pagina 141
... contrary , produces the prodigious phenomenon of happiness . It is surprising that no one has emphasized the constant contradiction between the ideas which Goethe as a thinker held about the world ( the least valuable part of his work ...
... contrary , produces the prodigious phenomenon of happiness . It is surprising that no one has emphasized the constant contradiction between the ideas which Goethe as a thinker held about the world ( the least valuable part of his work ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth