The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 35
... contrary , we give three - dimensional being to mere patterns , we ob- jectify the subjective , we " worldify " the immanent . A traditional painter painting a portrait claims to have got hold of the real person when , in truth and at ...
... contrary , we give three - dimensional being to mere patterns , we ob- jectify the subjective , we " worldify " the immanent . A traditional painter painting a portrait claims to have got hold of the real person when , in truth and at ...
Pagina 66
... contrary temperaments . In general , the personalities of the men and women in Spanish plays remain blurred . What is interesting about them is not their characters but that they are seen roving through the wide world , tossed about by ...
... contrary temperaments . In general , the personalities of the men and women in Spanish plays remain blurred . What is interesting about them is not their characters but that they are seen roving through the wide world , tossed about by ...
Pagina 141
... contrary , produces the prodigious phenomenon of happiness . It is surprising that no one has emphasized the constant contradiction between the ideas which Goethe as a thinker held about the world ( the least valuable part of his work ...
... contrary , produces the prodigious phenomenon of happiness . It is surprising that no one has emphasized the constant contradiction between the ideas which Goethe as a thinker held about the world ( the least valuable part of his work ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth