The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 113
... cornea and distant things . In Ladies in Waiting and The Spinners , we see the satisfaction with which the artist has accentuated hollow space as such . Velásquez looks straight to the background ; thus , he encounters the enormous mass ...
... cornea and distant things . In Ladies in Waiting and The Spinners , we see the satisfaction with which the artist has accentuated hollow space as such . Velásquez looks straight to the background ; thus , he encounters the enormous mass ...
Pagina 114
... cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and ...
... cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth