The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 114
... no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject himself . XIII CUBISM Cézanne , in the midst of his impressionist 114.
... no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject himself . XIII CUBISM Cézanne , in the midst of his impressionist 114.
Pagina 115
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
Pagina 116
... cubism . Together with volumes that seem to accord major emphasis to the rotundity of bodies , Picasso , in his most typical and scandalous pictures , breaks up the closed form of an object and , in pure Euclidian planes , exhibits ...
... cubism . Together with volumes that seem to accord major emphasis to the rotundity of bodies , Picasso , in his most typical and scandalous pictures , breaks up the closed form of an object and , in pure Euclidian planes , exhibits ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth